'Luiza Sauma's debut novel is that rare thing: a completely absorbing, brilliantly-designed, literary work.'
Anita Shreve, author of The Pilot’s Wife
'[An] arresting debut about memory and trauma. In this respect and others, it resembles Julian Barnes’s 2011 Man Booker-winner, The Sense of an Ending... Sauma, whose style manages to be both spare and rich, is clear-eyed about the social and racial divides in Rio.'
Daily Telegraph – 'New year, new voices'